There are 2 basic forms of mergers...
Good mergers help advance the theme of a photograph and keep the viewer’s eye moving in the right direction. They exert positive influences on the arrangement of elements, forming visual bonds between key parts of a composition.
These types of mergers are normally planned/staged by the photographer.
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Bad mergers disrupt the flow of a composition. They create jarring collisions between two or more compositional elements, interrupting the desired eye movement or adversely changing the motion.
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