Friday, December 22, 2017

Finish Work & Video/Extra Credit

Today is a work day if you still have work missing.

If you are completely done with the work you need, you can work on an Extra Credit or choose one of the following videos and briefly fill out a sheet based off of that video.

         Photographer Christopher Anderson discusses his work and his life-changing experience aboard a Haitian refugee boat that sank in the Caribbean. We then followed him as he hit the streets to photograph New York City.


        Dorothea Lange is best known for her photographs taken during the Great Depression and focuses on the impoverished Americans of the 1930s. Two of her photos, "Migrant Mother" and "White Angel Breadline" became icons of the Great Depression.


         Acclaimed National Geographic photographer Ami Vitale talks about how her work has given her the privilege to tell the stories of people around the world and the responsibility photographer’s have in bringing these topics to light as a photojournalist.


           In 2009, a mysterious nanny died, leaving behind a secret hoard - thousands of stunning photographs. Never seen in her lifetime, they were found by chance in a Chicago storage locker and auctioned off cheaply. Now Vivian Maier has gone viral and her magical pictures sell for thousands of dollars. 
            Few American artists have reached a wider audience, or enjoyed more widespread popularity in their own lifetime, than Ansel Adams. A visionary photographer, a pioneer in photographic technique and a crusader for the environment, Adams would take part in an extraordinary revolution: in photography, and ways of seeing what he called "the continuous beauty of the things that are".
           At the start of the 20th century, for the first time in history, inexpensive hand-held cameras gave ordinary people the opportunity to create their own visual images. Suddenly pictures were everywhere, and by the end of the 1920s, photographs had made their way into virtually every corner of contemporary life.



7) Search for the Afghan Girl
           When Steve McCurry took the picture of a young Afghan girl in a refugee camp in 1984, he never knew that it was going to become the face of a nation, it has become that.  Nearly 20 years later, McCurry embarks on a journey to Afghanistan and Pakistan, searching for the young girl that he photographed that one day.

Monday, December 18, 2017

Mirror Image Editing

To follow along, you can use any image you like, but you'll often get the best results if the image contains lots of detail. Here's the photo I'll be using:
Beautiful flowers. Image 78245864 licensed from Adobe Stock

And here's just one example of the type of design we can create from it in just a few easy steps. 
The final pattern design created from a single image in Photoshop.

How To Flip, Mirror And Rotate Images In Photoshop

Step 1: Crop The Photo If Needed

To begin, let's crop away any areas of our image that we don't really need for this effect. If you don't need to crop your image, you can skip ahead to Step 2.
You'll want to crop in tight around your subject, removing any surrounding areas of low detail (like clear blue skies) that won't really add anything to the final result. I could just use the entire photo the way it is and end up with a really crazy design. But to simplify things a bit, I'm going to crop some of the flowers away.
To crop your image, select Photoshop's Crop Tool from the Toolbar along the left of the screen:
Selecting the Crop Tool in Photoshop.
Selecting the Crop Tool.
Then, click and drag out a cropping border around the area you want to keep. In my case, I'll drag the border around the right side of the image. This means I'll be keeping the right side and cropping the left side away:
Cropping the image with the Crop Tool.

Press Enter on your keyboard when you're ready to crop the image:
The image after it has been cropped in Photoshop.

Step 2: Duplicate The Background Layer

If we look in our Layers panel, we see our image sitting on the Background layer, currently the only layer in the document:
The Layers panel showing the cropped image on the Background layer.
The Layers panel showing the cropped image on the Background layer.
We need to create a copy of this layer. To do that, click on the Background layer and drag it down onto the New Layer icon at the bottom of the Layers panel (second icon from the right):
Dragging the Background layer onto the New Layer icon.
Dragging the Background layer onto the New Layer icon.
Photoshop makes a copy of the Background layer, names it "Background copy" and places it above the original:
The Layers panel showing the Background copy layer above the original.
The "Background copy" layer appears.

Step 3: Double The Width Of The Canvas

Go up to the Image menu at the top of the screen and choose Canvas Size:
Selecting the Photoshop Canvas Size command.
Going to Image > Canvas Size
This opens Photoshop's Canvas Size box which we'll use to add more canvas space around our photo. We need to double the current width of our canvas, and we want all of the extra canvas space to appear to the right of our image. To do that, set ...
Width value to 200 percent 
Leave the Height at 100 percent 
Leave the Relative option unchecked. To force the extra canvas space to the right of the photo, click on the left middle square in the Anchor grid:
The Canvas Size dialog box in Photoshop.

Click OK when you're done to close out of the dialog box. By default, Photoshop fills the extra canvas space with white. If, for some reason, yours isn't white, don't worry because it's not important:
Extra canvas space now appears on the right side of the photo.

Step 4: Drag The Photo On The "Background copy" Layer To The Right

Now that we've added our extra canvas space, we need to drag the copy of our photo on the "Background copy" layer into the new area. Select Photoshop's Move Tool from the Toolbar:
Photoshop Move Tool.

Make sure the "Background copy" layer is selected in the Layers panel. Then click on the photo and drag it over to the right side of the original image. When you're done, release your mouse button. You should now see two copies of the photo sitting beside each other:
Dragging the copy of the image over to the right.

Step 5: Flip The Image On The Right Horizontally

So far, all we have are two identical photos. Let's create our first mirror effect by flipping the image on the right horizontally so it appears as a reflection of the one on the left. 
To do that, go up to the Edit menu at the top of the screen, choose Transform, and then choose Flip Horizontal:
The Flip Horizontal command in Photoshop.

The photo on the right instantly becomes a mirror reflection of the photo on the left, creating our first effect:
Photoshop mirror image effect.
The two images are now mirror reflections of each other.

Step 6: Merge The Two Layers Together

So far, so good. Let's merge our two layers into a single layer by going up to the Layer menu at the top of the screen and choosing Merge Down:
The Merge Down command in Photoshop. \

Nothing will seem to have happened in the document, but if we look at our Layers panel, we see that our two layers have been merged into a single Background layer:
The Layers panel showing the merged layers.

Step 7: Duplicate The Layer

Just as we did back in Step 2, let's duplicate the Background layer by clicking on it and dragging it down onto the New Layer icon:
Dragging the Background layer onto the New Layer icon.

Photoshop again duplicates the Background layer, names it "Background copy" and places it above the original:
The Layers panel showing the new Background copy layer.

Step 8: Double The Height Of The Canvas

We're going to create another reflection of our image, this time vertically. 
Go up to the Image menu at the top of the screen and choose Canvas Size:
Selecting the Photoshop Canvas Size command.

When the dialog box appears, set ...
Width to 100 percent (which will leave the width at its current size) and the 
Height to 200 percent
Leave the Relative option unchecked
To force the extra space to appear below the image, click on the top middle square in the Anchor grid:
Doubling the height of the canvas in Photoshop.
The settings for doubling the height of the canvas.
Click OK to close out of the dialog box. Photoshop adds the additional canvas space below the image. 
The extra canvas space has been added below the image in Photoshop.
The extra canvas space appears below the image.

Step 9: Drag The Image Below The Original

With the Move Tool still selected and the "Background copy" layer selected in the Layers panel, click on the image and drag it down into the extra canvas space. 
Dragging the image on the Background copy layer below the original.
Dragging the image on the "Background copy" layer below the original.

Step 10: Flip The Bottom Image Vertically

To turn the bottom image into a mirror reflection of the top one, go up to the Edit menu, choose Transform, and then choose Flip Vertical:
Selecting the Flip Vertical command from under the Edit menu in Photoshop.

We now have our second mirror reflection, this time vertically. Things are already starting to look interesting:
The second Photoshop mirror reflection effect.
The bottom image is now a reflection of the top image.

Step 11: Experiment With Layer Blend Modes

Let's duplicate the Background layer one more time by clicking on it and dragging it down onto the New Layer icon:
Dragging the Background layer onto the New Layer icon.

Photoshop again duplicates the Background layer, names it "Background copy" and places it above the original:
The Layers panel showing the new Background copy layer.

At this point, things start to become a bit more experimental and a matter of personal taste. Currently, the image on "Background copy" is on top of our original Background image. You can play around with the appearance of the images using different Blend Modes.
You'll find the Blend Mode option in the upper left of the Layers panel. It doesn't say "Blend Mode" anywhere but it's the option that's set to Normal by default. "Normal" means that the layer is not blending at all with the layers below it. It's just blocking them from view. Let's try out a few different blend modes to see what we get.


**When you are all done with your picture, be sure to post the finished edit on your blog**

Title: Mirror Edit


Thursday, December 14, 2017

Critiquing Artwork

Critique: a detailed analysis and assessment of something


Today, we will be working on our Critiquing skills. You will first briefly critique the following image.



Alfred Steiglitz, "The Steerage", 1907


After filling out the Critique sheet for the above image, choose 2 photographs from the provided resources and fill out the Critique sheet for each of them.



Margaret Bourke White

Henri Cartier Bresson

Alfred Steiglitz


Andrew Prokos


Steve McCurry
















Friday, December 8, 2017

Playing with Edits and Filters

We are going to be trying out some more extreme editing in our photos. Don't be afraid to really push the limits on the different editing tools. If you've had some tools that you have been wondering about or are curious about, TRY IT! 

You are already familiar with some of the Adjustments
Image result for photoshop adjustments
Try out combining some of these. Which of these have you have never used? Try it!

You can also branch out and try Filters (found at the top of Menu bar in Photoshop).
Image result for photoshop Filters

This site  has some great visual examples of what each filter can look like. 

Assignment:
    You will start of editing the image below. After editing that image, you may choose 2 of your own pictures that you have already taken. You will be asked for each picture to record the effects, adjustments, and tools that you used in editing the image. 

    By the end of the class, you MUST submit the 3 pictures to your blog and give me your worksheet. 

Dark Tree Big Field wallpapers

Wednesday, December 6, 2017

Work Day/Watch a Photo Documentary

Today is a work day if you still have pictures you need to take or edit.

If you are completely done with the photographs you need, you will choose one of the following videos and briefly fill out a sheet based off of that video.

         Photographer Christopher Anderson discusses his work and his life-changing experience aboard a Haitian refugee boat that sank in the Caribbean. We then followed him as he hit the streets to photograph New York City.

        Dorothea Lange is best known for her photographs taken during the Great Depression and focuses on the impoverished Americans of the 1930s. Two of her photos, "Migrant Mother" and "White Angel Breadline" became icons of the Great Depression.

         Acclaimed National Geographic photographer Ami Vitale talks about how her work has given her the privilege to tell the stories of people around the world and the responsibility photographer’s have in bringing these topics to light as a photojournalist.

           In 2009, a mysterious nanny died, leaving behind a secret hoard - thousands of stunning photographs. Never seen in her lifetime, they were found by chance in a Chicago storage locker and auctioned off cheaply. Now Vivian Maier has gone viral and her magical pictures sell for thousands of dollars. 
            Few American artists have reached a wider audience, or enjoyed more widespread popularity in their own lifetime, than Ansel Adams. A visionary photographer, a pioneer in photographic technique and a crusader for the environment, Adams would take part in an extraordinary revolution: in photography, and ways of seeing what he called "the continuous beauty of the things that are".
At the start of the 20th century, for the first time in history, inexpensive hand-held cameras gave ordinary people the opportunity to create their own visual images. Suddenly pictures were everywhere, and by the end of the 1920s, photographs had made their way into virtually every corner of contemporary life.

7) Search for the Afghan Girl
When Steve McCurry took the picture of a young Afghan girl in a refugee camp in 1984, he never knew that it was going to become the face of a nation, it has become that. Nearly 20 years later, McCurry embarks on a journey to Afghanistan and Pakistan, searching for the young girl that he photographed that one day.